
Forgotten Treasure

Slip Inside This House
by Tommy Hall and Rocky Erickson
The Thirteenth Floor Elevators
The urge to remember that we are not several but one rises
like the lotus again and again in the most unexpected times and places, as Aldous Huxley
reminds us in The Perennial Philosophy. One recent flowering was in Austin in the 1960s.
"Slip Inside This House," for all its imperfect and forced rhymes, its halting
meter, its time-bound jargon, is as succinct a re-statement of the Old Wisdom as America
has produced.
And the music . . . Rocky's reed-like voice, the
thudding 60s bass, and the obbligato of the electric jug ride the words to a place where
Easter is everywhere, if we would only remember.
Easter Everywhere, the album containing the song, is
available on CD (Easter
Everywhere).
Show me the words.
Goldberg Variations by Glenn Gould
Please, please don't be put off by "classical" or
"Bach". Your ears will thank you if you let them hear Glenn Gould, the late
Canadian pianist, play Bach's Goldberg Variations.
He recorded them twice. The first recording, from ????,
when he was young, is Day (full of light, joy, hope). The second, 25 years later, shortly
before he died, is Night (wisdom, space, serenity).
The best midi version is that of John Sankey, the
Toronto-based, self-styled "harpsichordist to the Web" (http://www.midiworld.com/cmc/sankey.html).
But Gould is in a class by himself. Give yourself a treat
and pick up the CD (Goldberg
Variations)
.
The Three Rings
Nathan der Weise (Nathan the Wise), an 18th
century play by Lessing, contains a re-telling of a Boccaccio story concerning religion
and, well, truth. And exposes the presumptuous and dangerous fallacy behind the remark,
"I hate the sin but love the sinner."
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